DAVID PRICE: What sort of film, pt… 6 Aspects of authorship

(And aspects of alliteration. Technology…)[1] Writing in The Field of Expanded Illusions. This is the very beginning of a paper, a text, a piece of writing, and the contribution to a conference.[2] The subject is art, technology, and more precisely

DAVID PRICE: What sort of film, pt… 6 Aspects of authorship

(And aspects of alliteration. Technology…)[1] Writing in The Field of Expanded Illusions. This is the very beginning of a paper, a text, a piece of writing, and the contribution to a conference.[2] The subject is art, technology, and more precisely

DOMENICO QUARANTA: Solid State

Verifications. Five examples Imagine you are walking around a your city, toward an imaginary exhibition. It’s sunny outside and you take the long way from your place to the exhibition space. The first encounter takes place in the big square

DOMENICO QUARANTA: Solid State

Verifications. Five examples Imagine you are walking around a your city, toward an imaginary exhibition. It’s sunny outside and you take the long way from your place to the exhibition space. The first encounter takes place in the big square

NUNO FALEIRO RODRIGUES: Crisis and Critique in Contemporary Art II

In April 2016, the national Portuguese broadcaster showed the last weather forecast presented by a meteorologist, following the overall trend in national television broadcasting of presenting it in a short, graphic way, similar to the schematic box used by the

NUNO FALEIRO RODRIGUES: Crisis and Critique in Contemporary Art II

In April 2016, the national Portuguese broadcaster showed the last weather forecast presented by a meteorologist, following the overall trend in national television broadcasting of presenting it in a short, graphic way, similar to the schematic box used by the

HANNA HÖLLING: Revisions, or on the aesthetics of change

  “What is Zen for Film?,” I was asked sometime in the early fall of 2014, on the occasion of a preparatory meeting for Revisions, an exhibition to feature Zen for Film (1962–64), Nam June Paik’s “blank” film projection. Despite

HANNA HÖLLING: Revisions, or on the aesthetics of change

  “What is Zen for Film?,” I was asked sometime in the early fall of 2014, on the occasion of a preparatory meeting for Revisions, an exhibition to feature Zen for Film (1962–64), Nam June Paik’s “blank” film projection. Despite

BERYL GRAHAM: Exhibition histories and new media behaviours

 Abstract How can a history of exhibitions inform curators on the challenges of exhibiting new media art? How can histories of exhibitions dealing with interaction and participation inform the curation of new media art involving these behaviours? Exhibitions of broadly

BERYL GRAHAM: Exhibition histories and new media behaviours

 Abstract How can a history of exhibitions inform curators on the challenges of exhibiting new media art? How can histories of exhibitions dealing with interaction and participation inform the curation of new media art involving these behaviours? Exhibitions of broadly

DOMENICO QUARANTA: in conversation with EVAN ROTH

“The more time I spend alone in nature, the more I forget about all of the politics surrounding the flow of data under my feet.” Interview with Evan Roth By Bani Brusadin, Ruth McCullough, Domenico Quaranta Domenico Quaranta: You said

DOMENICO QUARANTA: in conversation with EVAN ROTH

“The more time I spend alone in nature, the more I forget about all of the politics surrounding the flow of data under my feet.” Interview with Evan Roth By Bani Brusadin, Ruth McCullough, Domenico Quaranta Domenico Quaranta: You said

BERYL GRAHAM: New Collecting: Exhibiting and Audiences after New Media Art. Chapter 1 Modes of Collection

Why Collect? Ten Thousand Cents is a digital artwork that creates a representation of a $100 bill. Using a custom drawing tool, thousands of individuals working in isolation from one another painted a tiny part of the bill without knowledge

BERYL GRAHAM: New Collecting: Exhibiting and Audiences after New Media Art. Chapter 1 Modes of Collection

Why Collect? Ten Thousand Cents is a digital artwork that creates a representation of a $100 bill. Using a custom drawing tool, thousands of individuals working in isolation from one another painted a tiny part of the bill without knowledge