Category Archives: Post-medium Condition

Report – Art Institutions of the 21st Century

In December 2016, following the think tank Media in the Expanded Field, Montabonel & Partners released the Report Art Institutions of the 21st Century.  The publication explores the function of art institutions in the 21st century, with an eye to highlighting the blurring of

Report – Art Institutions of the 21st Century

In December 2016, following the think tank Media in the Expanded Field, Montabonel & Partners released the Report Art Institutions of the 21st Century.  The publication explores the function of art institutions in the 21st century, with an eye to highlighting the blurring of

JANE MORRIS VS TOM CHATFIELD: Taste, sound, smell: have curators gone too far?

These two comment pieces on the Tate’s Sensorium experiment were published in October 2015 in The Art Newspaper.   Two galleries recently staged shows that engaged other senses as well as vision. Our editor and a technology writer disagree on

JANE MORRIS VS TOM CHATFIELD: Taste, sound, smell: have curators gone too far?

These two comment pieces on the Tate’s Sensorium experiment were published in October 2015 in The Art Newspaper.   Two galleries recently staged shows that engaged other senses as well as vision. Our editor and a technology writer disagree on

DOMENICO QUARANTA: Dear Collector

Dear Collector, I’m writing you a letter because what you do is very personal and what I have to say fits better to the form of a private conversation than an essay. Although this letter is open, I’d love to

DOMENICO QUARANTA: Dear Collector

Dear Collector, I’m writing you a letter because what you do is very personal and what I have to say fits better to the form of a private conversation than an essay. Although this letter is open, I’d love to

THE ART NEWSPAPER: Digital romance blooms between art and technology

This article is a report on the use of technology at Art Basel 2015 and was published in an Art Newspaper Fair daily in June 2015. It was written by Julia Halperin Computer animation, 3D printing and aerospace software are

THE ART NEWSPAPER: Digital romance blooms between art and technology

This article is a report on the use of technology at Art Basel 2015 and was published in an Art Newspaper Fair daily in June 2015. It was written by Julia Halperin Computer animation, 3D printing and aerospace software are

THE ART NEWSPAPER: Welcome to the virtual world

This article was commissioned by Jane Morris for The Art Newspaper from Ben Luke and published in January 2016 With the ground-breaking Oculus Rift virtual-reality headset hitting the mainstream later this year, a growing number of artists and museums are

THE ART NEWSPAPER: Welcome to the virtual world

This article was commissioned by Jane Morris for The Art Newspaper from Ben Luke and published in January 2016 With the ground-breaking Oculus Rift virtual-reality headset hitting the mainstream later this year, a growing number of artists and museums are

DOUGLAS COUPLAND: What if There’s No Next Big Thing?

What if, in the tech world, there is no next big thing? First we had fire, then came the wheel, and the PC, then the internet and then Google and then the iPhone and then … that’s it. There’s nothing

DOUGLAS COUPLAND: What if There’s No Next Big Thing?

What if, in the tech world, there is no next big thing? First we had fire, then came the wheel, and the PC, then the internet and then Google and then the iPhone and then … that’s it. There’s nothing

DAVID PRICE: What sort of film, pt… 6 Aspects of authorship

(And aspects of alliteration. Technology…)[1] Writing in The Field of Expanded Illusions. This is the very beginning of a paper, a text, a piece of writing, and the contribution to a conference.[2] The subject is art, technology, and more precisely

DAVID PRICE: What sort of film, pt… 6 Aspects of authorship

(And aspects of alliteration. Technology…)[1] Writing in The Field of Expanded Illusions. This is the very beginning of a paper, a text, a piece of writing, and the contribution to a conference.[2] The subject is art, technology, and more precisely