Monthly Archives: May 2016

BERYL GRAHAM: Exhibition histories and new media behaviours

 Abstract How can a history of exhibitions inform curators on the challenges of exhibiting new media art? How can histories of exhibitions dealing with interaction and participation inform the curation of new media art involving these behaviours? Exhibitions of broadly

BERYL GRAHAM: Exhibition histories and new media behaviours

 Abstract How can a history of exhibitions inform curators on the challenges of exhibiting new media art? How can histories of exhibitions dealing with interaction and participation inform the curation of new media art involving these behaviours? Exhibitions of broadly

DOMENICO QUARANTA: in conversation with EVAN ROTH

“The more time I spend alone in nature, the more I forget about all of the politics surrounding the flow of data under my feet.” Interview with Evan Roth By Bani Brusadin, Ruth McCullough, Domenico Quaranta Domenico Quaranta: You said

DOMENICO QUARANTA: in conversation with EVAN ROTH

“The more time I spend alone in nature, the more I forget about all of the politics surrounding the flow of data under my feet.” Interview with Evan Roth By Bani Brusadin, Ruth McCullough, Domenico Quaranta Domenico Quaranta: You said

BERYL GRAHAM: New Collecting: Exhibiting and Audiences after New Media Art. Chapter 1 Modes of Collection

Why Collect? Ten Thousand Cents is a digital artwork that creates a representation of a $100 bill. Using a custom drawing tool, thousands of individuals working in isolation from one another painted a tiny part of the bill without knowledge

BERYL GRAHAM: New Collecting: Exhibiting and Audiences after New Media Art. Chapter 1 Modes of Collection

Why Collect? Ten Thousand Cents is a digital artwork that creates a representation of a $100 bill. Using a custom drawing tool, thousands of individuals working in isolation from one another painted a tiny part of the bill without knowledge

DOMENICO QUARANTA: Oh, When the Internet Breaks at Some Point

“Walked out this morning / Don’t believe what I saw / A hundred billion bottles / Washed up on the shore / Seems I’m not alone at being alone / A hundred billion castaways / Looking for a home” The Police,

DOMENICO QUARANTA: Oh, When the Internet Breaks at Some Point

“Walked out this morning / Don’t believe what I saw / A hundred billion bottles / Washed up on the shore / Seems I’m not alone at being alone / A hundred billion castaways / Looking for a home” The Police,

MARIANA ROQUETTE TEIXEIRA: When motion gives way to motionlessness – Recollecting exhibitions and events

Over the last few years, we have seen an increasing number of exhibitions that “revive” past exhibitions. The variety of cases shows different displaying strategies developed according to the overall goal of each exhibition. Some of them intend to highlight

MARIANA ROQUETTE TEIXEIRA: When motion gives way to motionlessness – Recollecting exhibitions and events

Over the last few years, we have seen an increasing number of exhibitions that “revive” past exhibitions. The variety of cases shows different displaying strategies developed according to the overall goal of each exhibition. Some of them intend to highlight

DOUGLAS COUPLAND: The Clock Strikes 13 in the Archive World

‘The world’s most intriguing documents now lie comatose inside a 1995-ish laptop… ’ A friend of mine works as an archivist at a large university that collects rare documents of all sorts. She tells me that a major issue with collecting

DOUGLAS COUPLAND: The Clock Strikes 13 in the Archive World

‘The world’s most intriguing documents now lie comatose inside a 1995-ish laptop… ’ A friend of mine works as an archivist at a large university that collects rare documents of all sorts. She tells me that a major issue with collecting