Monthly Archives: March 2016

TANYA TIKHNENKO: Some questions on restaging, reconstructing, and reinterpreting real-time

David Lamelas, Office of Information about the Vietnam War at Three Levels: The Visual Image, Text, Audio, 1968/2015   In the Media in Transition conference held at Tate Modern in 2015, a case study of David Lamelas’ work Office of

TANYA TIKHNENKO: Some questions on restaging, reconstructing, and reinterpreting real-time

David Lamelas, Office of Information about the Vietnam War at Three Levels: The Visual Image, Text, Audio, 1968/2015   In the Media in Transition conference held at Tate Modern in 2015, a case study of David Lamelas’ work Office of

RAFAEL LOZANO-HEMMER: Best practices for conservation of media art from an artist’s perspective

Dear colleague, For most artists I know “Art conservation” is a troubling affair: we are already too busy maintaining operations as it is, we think of our work as a “living” entity not as a fossil, we are often unsure

RAFAEL LOZANO-HEMMER: Best practices for conservation of media art from an artist’s perspective

Dear colleague, For most artists I know “Art conservation” is a troubling affair: we are already too busy maintaining operations as it is, we think of our work as a “living” entity not as a fossil, we are often unsure