Report – Art Institutions of the 21st Century
In December 2016, following the think tank Media in the Expanded Field, Montabonel & Partners released the Report Art Institutions of the 21st Century. The publication explores the function of art institutions in the 21st century, with an eye to highlighting the blurring of
Report – Art Institutions of the 21st Century
In December 2016, following the think tank Media in the Expanded Field, Montabonel & Partners released the Report Art Institutions of the 21st Century. The publication explores the function of art institutions in the 21st century, with an eye to highlighting the blurring of
THE ART NEWSPAPER: The 21st-century Tate is a commonwealth of ideas
This article was published in the January 2016 of The Art Newspaper. It was written by Nicholas Serota, director of the Tate, before the opening of the new Tate Modern. Museums must widen the ways in which they serve their
THE ART NEWSPAPER: The 21st-century Tate is a commonwealth of ideas
This article was published in the January 2016 of The Art Newspaper. It was written by Nicholas Serota, director of the Tate, before the opening of the new Tate Modern. Museums must widen the ways in which they serve their
JANE MORRIS VS TOM CHATFIELD: Taste, sound, smell: have curators gone too far?
These two comment pieces on the Tate’s Sensorium experiment were published in October 2015 in The Art Newspaper. Two galleries recently staged shows that engaged other senses as well as vision. Our editor and a technology writer disagree on
JANE MORRIS VS TOM CHATFIELD: Taste, sound, smell: have curators gone too far?
These two comment pieces on the Tate’s Sensorium experiment were published in October 2015 in The Art Newspaper. Two galleries recently staged shows that engaged other senses as well as vision. Our editor and a technology writer disagree on
DOMENICO QUARANTA: Dear Collector
Dear Collector, I’m writing you a letter because what you do is very personal and what I have to say fits better to the form of a private conversation than an essay. Although this letter is open, I’d love to
DOMENICO QUARANTA: Dear Collector
Dear Collector, I’m writing you a letter because what you do is very personal and what I have to say fits better to the form of a private conversation than an essay. Although this letter is open, I’d love to
THE ART NEWSPAPER: Digital romance blooms between art and technology
This article is a report on the use of technology at Art Basel 2015 and was published in an Art Newspaper Fair daily in June 2015. It was written by Julia Halperin Computer animation, 3D printing and aerospace software are
THE ART NEWSPAPER: Digital romance blooms between art and technology
This article is a report on the use of technology at Art Basel 2015 and was published in an Art Newspaper Fair daily in June 2015. It was written by Julia Halperin Computer animation, 3D printing and aerospace software are
THE ART NEWSPAPER: Welcome to the virtual world
This article was commissioned by Jane Morris for The Art Newspaper from Ben Luke and published in January 2016 With the ground-breaking Oculus Rift virtual-reality headset hitting the mainstream later this year, a growing number of artists and museums are
THE ART NEWSPAPER: Welcome to the virtual world
This article was commissioned by Jane Morris for The Art Newspaper from Ben Luke and published in January 2016 With the ground-breaking Oculus Rift virtual-reality headset hitting the mainstream later this year, a growing number of artists and museums are
DOUGLAS COUPLAND: What if There’s No Next Big Thing?
What if, in the tech world, there is no next big thing? First we had fire, then came the wheel, and the PC, then the internet and then Google and then the iPhone and then … that’s it. There’s nothing
DOUGLAS COUPLAND: What if There’s No Next Big Thing?
What if, in the tech world, there is no next big thing? First we had fire, then came the wheel, and the PC, then the internet and then Google and then the iPhone and then … that’s it. There’s nothing
DAVID PRICE: What sort of film, pt… 6 Aspects of authorship
(And aspects of alliteration. Technology…)[1] Writing in The Field of Expanded Illusions. This is the very beginning of a paper, a text, a piece of writing, and the contribution to a conference.[2] The subject is art, technology, and more precisely
DAVID PRICE: What sort of film, pt… 6 Aspects of authorship
(And aspects of alliteration. Technology…)[1] Writing in The Field of Expanded Illusions. This is the very beginning of a paper, a text, a piece of writing, and the contribution to a conference.[2] The subject is art, technology, and more precisely
DOMENICO QUARANTA: Solid State
Verifications. Five examples Imagine you are walking around a your city, toward an imaginary exhibition. It’s sunny outside and you take the long way from your place to the exhibition space. The first encounter takes place in the big square
DOMENICO QUARANTA: Solid State
Verifications. Five examples Imagine you are walking around a your city, toward an imaginary exhibition. It’s sunny outside and you take the long way from your place to the exhibition space. The first encounter takes place in the big square
NUNO FALEIRO RODRIGUES: Crisis and Critique in Contemporary Art II
In April 2016, the national Portuguese broadcaster showed the last weather forecast presented by a meteorologist, following the overall trend in national television broadcasting of presenting it in a short, graphic way, similar to the schematic box used by the
NUNO FALEIRO RODRIGUES: Crisis and Critique in Contemporary Art II
In April 2016, the national Portuguese broadcaster showed the last weather forecast presented by a meteorologist, following the overall trend in national television broadcasting of presenting it in a short, graphic way, similar to the schematic box used by the
MEDIA IN THE EXPANDED FIELD Site 
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